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Posted by ArtistPR on April 4, 2025 at 3:05am 0 Comments 0 Likes
Rap's "Last Rap Bender" Returns to Challenge the Status Quo with Unprecedented Lyrical Depth
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ContinuePosted by ArtistPR on April 2, 2025 at 11:12am 0 Comments 0 Likes
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ContinuePosted by ArtistPR on April 2, 2025 at 1:50am 0 Comments 0 Likes
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ContinuePosted by Amanda MzOnPoint Goldben on March 23, 2025 at 6:32pm 0 Comments 0 Likes
Posted by ArtistPR on March 17, 2025 at 3:16am 0 Comments 0 Likes
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ContinueStarted by Dj Smoke (@PromoMixtapes) in Music and Entertainment News Feb 23. 0 Replies 0 Likes
Started by Dj Smoke (@PromoMixtapes) in Music and Entertainment News Feb 23. 0 Replies 0 Likes
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Started by Dj Smoke (@PromoMixtapes) in Music and Entertainment News Feb 18. 0 Replies 0 Likes
("Two portraits of Ryogen" - Author Unknown - copyright holder is Kiemon Tsuruya)
« Creeper » is an allegory wherein destructive mental processes are compared to creeping plants. The piece depicts four stages of a confrontation between creeper and host : introduction, growth, conquest, and extinction.
The audio clip presents the introduction and verses. As the lyrics suggest, the creeper really represents insidious suggestion, worry, negativity, or doubt, which are generally rooted in ignorance or craving and can act as magnets to weird experiences when pursued intently.
Insidious suggestion
Difficult to contain
Tendency to worry
Threatening to bloom in pain
Stemming up from a doubt
Burgeoning from a no
Better sever the sprout
Or a vine could follow
Creative energy – Unleashed upon itself
Subtle adversary – Not yet under control
Creative energy – Cynical of itself
Unforeseen enemy - Between here and the goal
Coming back from the past
Sinister memory
Craving for attention
The voice of gravity
Surely as it will rise
Before long, paralyse
Surely as it will grow
In a spiral, down you go
Creative energy – Unleashed upon itself
Subtle adversary – Not yet under control
Creative energy – Cynical of itself
Unforeseen enemy – Between here and the goal
© 2025 Created by Jacque Schauls.
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