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Posted by Dj Smoke (@PromoMixtapes) on September 14, 2026 at 6:10pm 0 Comments 0 Likes
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Started by Dj Smoke (@PromoMixtapes) in Music and Entertainment News Sep 13, 2025. 0 Replies 0 Likes
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Started by Dj Smoke (@PromoMixtapes) in Music and Entertainment News Feb 20, 2025. 0 Replies 1 Like

("Informaëlstrom" by poligraf)
1000 Radios is a two-part piece which explores the relationship between an individual and their reality, a subject and their objective world.
The second part, "Informaëlstrom," aims to depict this reality gone awry, a maelstrom of information as it were, and the struggle of the individual endeavouring to escape the chaos and finally break through the confusion to revel in understanding and effortlessness.
The piece is an instrumental, but I thought I'd write some related poetry to it, if just for the fun of it :
It started as a feel
And turned into an urge
A persistent appeal
To evolve on the verge
This I could not abide
Without means of living
Seemed safer to divide
Sustenance and calling
At first it was pleasance
As the streams were shallow
But with time turbulence
Got the best of the flow
Between who I could be
And what I was doing
Was a man lost at sea
And tides were conflicting
Thus was born this whirlpool
Against which I'm fighting
Subjected to its rule
Perpetually straining
At once be everywhere
Steady multitasking
Everlasting affair
At once be everything
Vortex unrelenting
Sensory overload
Incessant processing
Get me out of this mode
How on Earth could this be
The place that's right for me
Tell me when will I see
The time of your mercy
Chaos may be the bulk
Of my experience
But I won't end a hulk
I still feel transcendence
And in this simple fact
There is enough I find
Motivation to act
And tolerate the grind
From these thoughts appeasing
Though the pressure remains
My revel is stemming
As I unbind the chains
Until there is calmness
This passion will not fade
And in effortlessness
I pursue the crusade
And here's an idea of what it sounds like when performed live by Poligraf :
© 2026 Created by Jacque Schauls.
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