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Posted by Hip-Hop's Best Kept Secrets on April 16, 2026 at 3:56pm 0 Comments 0 Likes
Hip-hop visuals have come a long way, and Wax’a’don is tapping into that evolution with his latest release, “Wa Laa.” Dropped on April 15, the video goes beyond…
ContinuePosted by Indie Castle on April 4, 2026 at 9:08am 0 Comments 1 Like
🔥 NEW MUSIC ALERT 🔥
If you rock with real hip-hop, this one’s for you…
D.V. Alias Khryst just dropped that 🔥 “Def On Em (G-Mix)” — and it’s straight bars, energy, and that raw East Coast feel 💯
Turn it up, run it back, and let me know what you think 👇
🎧 Listen…
ContinuePosted by ArtistPR on April 2, 2026 at 5:49am 0 Comments 1 Like
New Albany, IN – CJ5 Hogg, the dynamic bass player renowned for laying down the foundation in Texas CowPunk stalwarts Jesse & The Hogg Brothers, is stepping into the spotlight…
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("QTC Recycled" based on "Plastic recycle logo PVC" by Tomia)
« Questioning Tasteless Creepers » is one in a series of rehashes which come from reengineered ideas left over from other works. Other pieces of the band's repertoire, such as « Leftoverturned » and « Reinfused, » have also seen the light of day from that recycle/don't-throw-out-anything process.
At the beginning of 2008, Poligraf was selected to perform in the semi-finals of CONGA 2008, a local band contest, which had some specific rules about duration and repetition that restricted our setlists assembling options. To make a long story short, had we made it to the finals we would have needed an additional short piece for the encore. Thus a first draft entitled « In The Taste Of Countless Creepers » came about as a rehash of « Countless Questions, » «In The Taste Of The Day, » and « Creeper » just in time for the event (although we didn’t make it past the semis). I refined it a little later and finally decided to change its name to « Questioning Tasteless Creepers, » or « QTC » as I like to refer to it.
The second half of the piece, which is featured in the clip, begins with variations on themes from « In The Taste Of The Day, » including a canon for drums, bass, and electric guitar based on the song’s chorus. Then, a build-up segues into a reprise of the main riff from « Countless Questions » which leads to a reharmonization of the release section from the same track. The composition ends on a reworking of the ending solo of « Creeper » in a more relaxed mood and with an added counter-melody on a backdrop of synthesized mellotron.
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