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Mississippi's Newest Sensation Ka Marie Releases Soulful Single "Dat Drank"

Posted by ArtistPR on February 14, 2025 at 5:59am 0 Comments

Experience Pure Relaxation with Ka Marie's Latest Soulful Release, Produced by Melvin Nettles

West, MS-based singer and songwriter Ka Marie is poised to make waves in the indie music scene with her latest single, "Dat Drank," released on…

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Renowned Country Superstar Michael Peterson Signs with New Management

Posted by ArtistPR on February 14, 2025 at 5:53am 0 Comments

Pat Melfi of The Music Associates and Steve Cox of Myriad LLC Join Forces for An Exclusive Management Deal with Country Music Icon Michael Peterson

Nashville, TN - The Music…

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Discover Once Upon a Cloudtop Meadow: A Sonic Fairy Tale by Emerging Composer Inal Bilsel

Posted by ArtistPR on February 11, 2025 at 7:15am 0 Comments

Explore a mesmerizing blend of cinematic soundscapes and narrative-driven compositions

Introducing a rising talent in cinematic composition, award-winning composer and producer Inal Bilsel unveils three captivating singles ahead of his fairy tale-inspired concept album, Once Upon a…

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SkyCall Unveils New Single "Dream on Mars" - A Psychedelic Journey Beyond Earth

Posted by ArtistPR on February 5, 2025 at 1:50am 0 Comments

SkyCall Revives 70s Progressive Rock in Latest Release, "Dream on Mars"

January 14, 2025, marked the highly anticipated release of SkyCall's latest single, "Dream on Mars (Radio Edit)." Hailing from Colmar, Fabrice Duval—the sole architect behind SkyCall—invites…

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[Video] Mr Mooq "Midnight Moonlight and You"

Posted by Amanda MzOnPoint Goldben on February 1, 2025 at 7:47pm 0 Comments

Midnight Moonlight and You" was written over 30 years ago and has a storied history. Way back in the 90's I had a music management company with Jim Saxon called "Calvin James Music." We were really excited because we just signed Giorge Pettus, a great R&B pop singer who had a record deal with MCA Records and they were working on his album. What he needed was a hit song! Jim and I got together with songwriter Tom Campbell in my living room and wrote "Midnight Moonlight and You." We thought… Continue

Nikolayevich Bey: Unveiling the New Sonic Visionary with Unmatched Musical Style

Posted by ArtistPR on January 31, 2025 at 10:47am 0 Comments

Introducing the Next Dr. Dre: Nikolayevich Bey's Genre-Defying Pop Mastery

St Paul Park, Minnesota – Prepare to step into the future of music with Nikolayevich Bey, a groundbreaking artist poised to redefine the pop landscape. Known for his versatility and boundary-pushing sounds, Bey is…

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Discover Once Upon a Cloudtop Meadow: A Sonic Fairy Tale by Emerging Composer Inal Bilsel

Explore a mesmerizing blend of cinematic soundscapes and narrative-driven compositionsIntroducing a rising talent in cinematic composition, award-winning composer and producer Inal Bilsel unveils three captivating singles ahead of his fairy tale-inspired concept album, Once Upon a Cloudtop Meadow, set for release in…See More
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SkyCall Unveils New Single "Dream on Mars" - A Psychedelic Journey Beyond Earth

SkyCall Revives 70s Progressive Rock in Latest Release, "Dream on Mars"January 14, 2025, marked the highly anticipated release of SkyCall's latest single, "Dream on Mars (Radio Edit)." Hailing from Colmar, Fabrice Duval—the sole architect behind SkyCall—invites listeners on a transcendental…See More
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Jamie Barren liked Jamie Barren's event MAXIM Big Game Viewing Party | Fontainebleau Miami Beach
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MAXIM Big Game Viewing Party | Fontainebleau Miami Beach at Fontainebleau Miami Beach - Arkadia Day Club

February 9, 2025 from 5:30pm to 11pm
MaximFontainebleauUnbranded present ...MAXIM Big Game Watch PartySun, Feb 9, 2025, 5:30 PM - 11:00 PM ESTMake a splash at an unforgettable MAXIM Big Game watch party as you soak…See More
Feb 3
Amanda MzOnPoint Goldben posted a blog post

[Video] Mr Mooq "Midnight Moonlight and You"

Midnight Moonlight and You" was written over 30 years ago and has a storied history. Way back in the 90's I had a music management company with Jim Saxon called "Calvin James Music." We were really excited because we just signed Giorge Pettus, a great R&B pop singer who had a record deal with MCA Records and they were working on his album. What he needed was a hit song! Jim and I got together with songwriter Tom Campbell in my living room and wrote "Midnight Moonlight and You." We thought…See More
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ArtistPR posted a blog post

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Introducing the Next Dr. Dre: Nikolayevich Bey's Genre-Defying Pop MasterySt Paul Park, Minnesota – Prepare to step into the future of music with Nikolayevich Bey, a groundbreaking artist poised to redefine the pop landscape. Known for his versatility and boundary-pushing sounds, Bey is drawing comparisons to industry…See More
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"Standing On Business": A Testament to Wax'a'don and DTL’s Unmatched Chemistry

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Ice on My Neck

Provided to YouTube by Catapult Reservatory, LLCIce on My Neck · Gansta MarcusSlick Rick℗ 2015 Gansta MarcusReleased on: 2015-07-07Auto-generated by YouTube.
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Dj Smoke (@PromoMixtapes) posted a discussion

Essential Tips and Tools for Independent Artists | @DjSmokeMixtapes @TopHotHitsUSA

As an independent artist, standing out in today’s crowded music scene can be tough. We’ve all been there, right? You’ve got talent, you’ve got drive, but sometimes it feels like your music just isn’t reaching the right people. So, how do you get noticed? The answer lies in effective music promotion—and I’m here to share a few key tools that can help you make a real…See More
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Dec 31, 2024
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Fireye Unveils Captivating Dark Wave Single, “Escape the City at Night”

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Hip-Hop's Best Kept Secrets posted a blog post

Wa Laa by Wax'a'don: A Track That Defines 2024

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What radio stations don't want listeners to know about paying you royalties!!!

One of our Hits A Million members wrote this article that is vital for us all to read and ACT on!

PERFORMANCE RIGHTS ACT OF 2009

Allen Johnston – The Music Specialist

www.asha.com

In the past few weeks there has been a flurry of controversy concerning the PERFORMANCE RIGHTS ACT. Many broadcasters and thousands of uninformed people are suggesting that the bill would be the death of Black radio within the United States.

Black radio died years ago when consolidation of ownership, syndication of programming and disregard for the local community became the Black radio norm. What the cry is now is for the local listeners to rally around the Black owned radio stations so the stations won’t have to pay out more money. Where is the concern for the artists whose creativity and expertise made this entire industry possible?

Looking at Black radio within the United States many people seemed to forget exactly how Black radio assisted the recording artists and independent labels. In the beginning Black radio was concerned about the health and growth of independent Black owned labels and worked closely with them, at times in complete partnership, to create events, shows, in stores and remote broadcasts benefitting both parties. As revenues grew and more stations became popular the attitude of owners, sales people and eventually disc jockeys became more and more financially directed. What once was partnership creating revenue for both sides became a mandatory free show, promotion, in store or event FOR the station. Disk jockeys became PIMP jockeys and wanted money in advance of hearing the music that was offered to them for possible airplay. Research techniques were initiated to offer “scientific” excuses for not playing a song, while new systems were put in place to make the journey to the radio station more difficult.

Record pools, independent promoters, marketing experts, publicity people, ALL were started from the inception of artists creativity and expertise. Without the song NO ONE would be eating. Now that the United States wants to join the rest of the free world in assisting the artist acquire revenue that has been LONG denied them we hear from major and independent broadcast owners that this is a business threatening move.

Education of the issue can help you understand the different visions presented by both sides.

The SOUND RECORDING PERFORMANCE RIGHTS ACT FOR TERRESTRIAL RADIO H.R.4789 passed the House of Representatives on May 13, 2009.

Performance Rights Act - Amends federal copyright law to:

(1) Grant performers of sound recordings equal rights to compensation from terrestrial broadcasters;

(2) Establish a flat annual fee in lieu of payment of royalties for individual terrestrial broadcast stations with gross revenues of less than $1.25 million and for non-commercial, public broadcast stations;

(3) Grant an exemption from royalty payments for broadcasts of religious services and for incidental uses of musical sound recordings; and

(4) Grant terrestrial broadcast stations that make limited feature uses of sound recordings a per program license option.

Any single track of recorded music consists of 2 copyrights.

There is a copyright in the written words and music (the “musical composition”), which is typically held by the songwriter or their publisher.

There is a copyright in any recording of the composition (the “sound recording”), which is typically held by the performing artist or their label.

What the Performance Rights Act is proposing is that the owners of the sound recording start receiving payment for the use of their art. Prior to 1995 performers could not receive ANY remuneration for their art, then Sound Exchange started collecting for Internet radio, Satellite radio and Cable radio plays and artists who had not seen any money in years from their publishers or labels started seeing renewed checks.

We are now talking about paying recording artist direct for their contributions to the BILLIONS of dollars in revenue radio stations have all ready collected.

This is not the end of Black radio.

This is not the end of free on air time for non-profit organizations.

This is not the reason for firing announcers and other radio station people.

This is a call for station owners to become more attuned to their community needs, develop consistent sales programs that develop better usage of their staffs, stop doing business the way it was done years ago and step into the future. I find it really strange that the people speaking out the most against the Performance Act either work for a major radio network or have refused to embrace the new technological changes now available for supplementary revenue formation.

Interestingly enough radio stations outside of the United States have been paying publishing fees AND performance fees for years and it has grown there business.

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